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Richard III (Murder in the Cathedral)
Jul. 31st, 2017 07:51 pm
I was intrigued when I saw that theatre company 'Antic Disposition' were performing Richard III, in a variety of Cathedrals across England, one of which was Bristol. (Another was Leicester, which created some minor controversy as of course Richard III was reburied there, and some of his supporters felt it was disrespectful to perform the play there. Personally I feel that after being dead for more than 530 years, Richard is probably over it all!)
So, I booked a ticket.
The performance took place in the Nave, with the performance taking place in the centre, and we the audience down both sides, so it was a very intimate setting, and of course being in the Cathedral there was nothing in the way of sets, very little in the way of props, and minimal extra lighting.
It was very well done. Its a modern dress production. When we first met the dastardly Richard, Duke of Gloucester (Toby Manley) he was in black tie, respectable, but of course already scheming, and as the setting was so intimate, his soliloquies and asides were made to the audience, bringing us into collusion with him.
The production makes the most of the black humour in the play. I particularly enjoyed the scene where Richard is 'entreated' to take the crown. The line "See where his Grace stands, ’tween two clergymen" contained a long and significant pause before the word 'clergymen', due to the rather threatening appearance of the two stone-faced, sunglasses wearing henchmen clergymen.
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Toby Manley as Richard III, from Antic Disposition's site |
Robert Nairne is excellent as Richard's right hand man, Catesby (doubly unnerving for me, as he reminded me in appearance of my brother, who is not (at least as far as I know) in the habit of carrying out assassinations to order.)
Richard, as he does, got darker through the play - chillingly giving his order to "Rumour it abroad. That Anne my wife is very grievous sick" to Catesby in Anne's presence..
It was all very well done. Richard's victims, following their various deaths, moved to the end of the Nave to watch him (except when the actors needed to cover other roles), showing the gradually rising body count, and the Princes in the Tower were such stroppy pre-teens one could almost forgive Richard for their fate.
The production is currently in France, and then at Temple Church in London 22nd August to 9th September. Worth seeing if you can make it.
