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The final events I attended at the Bath Literature Festival were both based on books about WWII, but couldn't have been more different.


The first event was Rick Stroud, speaking about the events around the kidnap of General Kreipe on Crete during WWII, by a team led by Patrick Leigh Fermor.


Stroud gave a summary of the incident. Originally planned as a kidnap of General Müller 'the butcher of Crete', the target changed when Müller was replaced by Kreipe.


Stroud described the (often bizarre) group of young SOE men who planned the kidnap, and the extraordinary Cretans who assisted them, risking everything.


It's a fascinating story - famously made into a film 'Ill met by Moonlight' .


It wasn't, ultimately, particularly useful in terms of the war effort, but it was a heroic effort, with a very interesting cast of characters. I  didn't buy Stroud's book, although I think I may borrow it from the library, and perhaps also look for Leigh-Fermor's own account, too.


The second event was about a very different element of the War - the women who worked at Bletchley Park. The event was withTessa Dunlop,who has tracked down many of the women of Bletchley Park who are still alive, and persuaded them to tell their stories, and the resulting book, The Bletchley Girls has now been published.

Tessa Dunlop has a wonderful enthusiasm for the women she met, and she brought them vividly to life as she spoke about the work they did, and  their post-war lives.


The women undertook a range of jobs at Bletchley, from transcribing intercepts, to working as a messenger, to working on the 'Bombe' machines, and came from a variety of backgrounds: in the beginning, the majority of the women were the wives and daughters (and wives and daughters of friends) of the men who were working at, or who knew about, Bletchley Park, and so were mainly middle or upper class, but over time, as the number of people working there increased, a wider range of girls and women were recruited.


As well as speaking about the women and their roles, Dunlop played  recordings of several of the women themselves, and showed us a number of photos of them, then and now. She also pointed out that as the work was secret, none of the women told anyone what they had done until maybe 30 years after the end of the war, and that many of them had, in the mean time, married and had husbands who were not particularly interested in what they may have done in the war!

I was already broadly familiar with the work of Bletchley Park, but Dunlop's enthusiasm and knowledge of her subject made me want to read the book and learn more about this particular aspect of work there.

By a happy coincidence, the event was held a a venue I have not been to before - the former chapel (now a small museum) at the Mineral Hospital (Royal National Hospital for Rheumatic Diseases). It is rather nice, and has some lovely stained glass, including the delightful gentleman on the right, in the fez!

I shall have to go back to look around the museum when I have time.

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So, the blog has been very heavy on music and theatre recently, so I've decided to do a post about some of the books I've been reading recently, and what I thought of them. All titles are links to the relevent amazon page, in case you get a sudden urge to go shopping!

'Stories' Neil Gaiman & Al Sarrantonio

I was fairly confident I'd find stories I'd like here - partly because I knew Neil Gaiman and Diana Wynne Jones are two of the contributors, and they are 2 of my favourite writers, but also because I trusted Neil in picking writers and stories (Not to say I couldn't also trust Al Sarrantonio, but I am not familiar with his work)

Inevitably there were some stories which I liked better than others, but there weren't any which I disliked, or felt I had wasted my time by reading, although I am sure that there are some I will re-read less frequently than others.

The stories in the collection are not limited to a single genre or theme, which adds a sense of adventure when dipping into the book - you never know what you are going to get!

I was not expecting to find Joanne Harris writing about fading gods hunting one another through modern New York, or Roddy Doyle a darkly funny story about vampires, for instance, whereas Michael Marshall Smith's dark assassination tale is perhaps more what I might have expected from him. Both were very good, and are stores I will undoubtable re-read in the future. Neil Gaiman's own 'The Truth is a Cave in the Black Mountains' is a very bleak tale of Jacobites, treasure and revenge, and Laurence Block's 'Catch and release' and Richard Adams' 'The Knife' are both chilling. Bycontrast, Diana Wynne Jones' Samantha's Diary is very funny, and will definitely be re-read at the appropriate time of year. The collection is heavy on the darker side, and has certainly made me interested in exploring further the works of some of the contributers.

'Troubadour' Mary Hoffman

Mary Hoffman is primarily known as a writer for young adults, I particularly enjoy her 'Stravaganza' series. This book was also only the YA shelves at my local library; It is a historical novel, with the protagonist being a young noblewoman, Elinor, living in the Langue D'Oc region of Medieval France, and living through the Cathar pogroms and crusade in the early 13th Century.

I found the book interesting - I knew next to nothing about the Cathars or the way they were treated, and the story provides that information, and whetted my appetite to learn more, but I was less gripped by it as a story - I never really felt I got to a point where I cared deeply about the characters, and did have several 'yes, but ' moments - would a group of troubadours really be willing to help their patron's daughter to run away from home? And would such a girl have been quite so shocked by the thought of being married off to a man chosen by her father?

All that said, I did enjoy the book, but I don't think I shall be rushing out to buy my own copy.

Perhaps unfairly, I think I would probably have rated the book more highly had it been written by someone else, so I wasn't comparing it to other books Mary Hoffman has written, but I have very high expectations of her which this book didn't quite meet.
 
 

This is the second part of Leigh Fermor's autobiography charting his travels, as a young man, from England to Constantinople (the first part being 'A Time of Gifts', which is well worth reading, and which you should probably read first, in order to follow the journey in order) In 1933, having left school and finding himself at something of a loose end, Leigh Fermor set out to travel, on foot, to Constantinople. Between the Woods and the Water covers the section of the journey from the Danube to the Iron Gates (Ada Kalah, in Romania)
 

It is absolutely fascinating, as travel writing but also as anthropology. Leigh Fermor made most of the journey on foot and mixed with peasants, gypsies and down-and-outs, but also, through a series of friends-of-friends and introductions with various members of the nobility and gentry - so he found himself sleeping with gypsies one day, then playing bicycle polo with archdukes the next. The writing is beautiful, and the books give a fascinating insight into the period, as well. Leigh Fermor is clearly very erudite and well read, which means when reading I spent a lot of time making notes of various reference to go & look up later. He rather endearingly assumes that his readers are just as familir with classical allusions, and just as able to read Greek or Latin, so (in the edition I was reading, at least) there are no footnotes, and no translations of classical quotations. Don't, however, let this put you off. If stopping to look up quotations part way through a book isn't your thing, you can skip the Greek and just enjoy the writing!
 
Highly recommended!

Bluestockings Jane Robinson

 
 
I picked this up on impulse, and found it very interesting - it is a study of women's education, primarily focusing on women's access to, and involvment in university education in England, at the end of the 19th and start of the 20th Century, bilding largely on diaries, college records and personal memories. This makes for an interesting read, but does mean that it is difficult at times to determine which experiences are unique to one person, and which are examples of a more general experience.
 
Similarly, although very readable, it is occasionally unclear when the author has skipped from 1870 to 1920 or 1930! It's certainly an interesting, and very readable introduction to this area of social history, and also a salutory reminder of how far we've come
 

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