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The last in Kenneth Branagh's season of plays at the Garrick is John Osborne's 'The Entertainer' , and I went to see it at the weekend.


I booked it some time ago, as originally, John Hurt was due to appear, but sadly he had to withdraw for health reasons, which was a disappointment.


However, the cast still included Branagh (Archie Rice) Greta Scacchi (Phoebe Rice) Gawn Granger (Billy Rice) and Sophie McShera (Jean Rice)


It's not a play I am familiar with, so I went in with a completely open mind.


And left a little disappointed - the play (for those unfamiliar with it) it set during the Suez crisis, with Britain's place in the world declining, and features Branagh as Archie Rice, fading and failing music hall entertainer and womaniser - I felt Branagh was more convincing as the music hall artiste than in conveying the despair and failure of Rice in his private life, and felt that Sophie McShera as his daughter Jean, visiting following her split from her fiance after attending a protest in Trafalgar square, made a somewhat unconvincing rebel.

Gawn Granger as Rice's father was very strong, as was Greta Scacchi as Rice's long-suffering wife, but over all I felt it it was weaker than some of the other productions in the season, and didn't quite achieve the sort of quiet desperation which a  lot of the script seem to require.

I wanted to enjoy it a lot more than I actually enjoyed it!

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Happy New Year - a little late, perhaps, as we are 10 days into the  year, but it's my first post this year, so why not!


My parents visited for Christmas, but went home for New Year, so I had a quiet evening in, but then made a day trip to London on 2nd January, so see a matinee of 'The Winter's Tale' at the Garrick Theatre.


It was a real treat, with Judi Dench (as Paulina) being particularly good. I was a little less enthused at Branagh's Leontes   - I have not seen the play before,so I am not entirely sure whether this is down to the play or the actor - Leontes' behaviour is irrational even for a Shakespearean character, and if you are looking for crazy jealousy I think he (Shakespeare) did it better in Othello!


Hadley Fraser made a convincing Polixenes, particularly during the scenes in which  he learns   that his best and oldest friend is prepared to have him murdered on a mere suspicion. I would have liked to see him in a bigger role however - it might be fun to see him and Branagh switch roles, for instance.


But Judi Dench undoubtedly had the meatiest role, as the older woman prepared to speak out on behalf of the wrongfully accused Queen, even at the risk of her own life. She's great!


Well worth seeing. (And it has been broadcast live to cinemas, so will probably be repeated in future, if you want to see it and don't have the opportunity to get to London)

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At the end of November I had a further trip to London, to see the RSC Henry V at the Barbican, and the Kenneth Branagh Theatre Company All on her own' / Harliquinade double-bill at the Garrick theatre.


Both were very good.


The Henry V is part of the 'Great Cycle of Kings', directed by Gregory Doran, - Richard II, Henry IV parts I and II, and Henry V.


I saw Richard II (with David Tennant) in Stratford, in November 2013,and then saw Henry IV Pt. I as a live broadcast, and Henry IV Pt. II at Bath, last November, so when I saw that the RSC was reuniting the same cast and performing the pays at the Barbican in London I decided that I would go and fill in the gap, and see the last of the 4.

Alex Hassell as Henry V - Photo (c) RSC

I enjoyed it a lot. It's pretty much uncut, and Hassell was a convincingly tough and aggressive Henry, and while I am not a fan of Shakespeare's 'comic' Scots / Welsh / Irish Captains, their scenes were done well.


I also found it interesting to be back at the Barbican and to see the contrast between the huge and ornate 'Hamlet' set, and the sparse Henry V one!


I then had the pleasure of meeting up with a friend for a meal and catch up, before heading to the Garrick theatre to see the first of the plays in Kenneth Branagh's company's run (I have ticket for a couple of the others, for next year)


It was a Terence Rattigan double bill - 'All on her Own', a monologue, performed by Zoë Wanamaker, as a widow returning home after a party, a  little the worse for wear, and starting a conversation with her late husband. Poignant and superbly performed.


The second half of the double bill was 'Harlquinade', which is utterly hilarious. I never realised what a talent for comedy Branagh had!


The play is set during a dress rehearsal of 'Romeo and Juliet' in 1946, and features Branagh as Arthur Gosport, an ageing actor-manager who, with his wife is touring the provinces as part of a government scheme to bring culture to the masses.


Both he and his wife, (Miranda Raison) are both utterly absorbed in the play, oblivious to their stage manager's attempts to tell them he will to be continuing the tour, and  the implications of the arrival of young Mrs Palmer and her baby... not to mention issues of bigamy, and farcical misunderstandings.


Hadley Fraser has a slight slight as the First Halberdier, and the whole thing is laugh-out-loud funny. There's something highly entertaining about watching very good actors pretending to be not-so-good actors.


It was a lot of fun.


And then on Sunday, before I went home, I got to meet up with a relative I haven't seen for ages which was great.

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So, after our slightly scary and very confusing attempt to appreciate cutting edge art, we made our way to Castlefield for the big screen broadcast of Macbeth.



The live production was staged in the (deconsecrated) St Peter's Church in Ancoats, so ticketing was pretty limited.



We were in the slightly less atmospheric venue of the NCP Car park at Bridgewater Hall, which is basically a large expanse of tarmac surrounded by high rise blocks of flats.

Although  we arrived 40 minutes before the performance was due to start, we discovered that the car park was filling up, and we had a little difficulty finding a space where we could spread out our picnic rug and see the screen.

The instructions we received mentioned that there would be no food or drink vendors, and that people were welcome to bring their own, and we quickly realised that our 4-pack of beer simply didn't cut it - out immediate neighbours, for instance, had brought poached salmon, chicken, a choice of white or rose wine, and much besides, and (as we later noticed) even after dinner mints.

We had picnic envy, and lacking food, were forced to make conversation with one another while we waited for the play to start.

It was an interesting production; the main action of the play takes place in a very muddy stage / aisle with the audience sitting on either side (and some additional action in the apse of the old church)

I have mixed feelings about the production itself - The Witches seemed rather  over done, even for evil harbingers of doom - they shrieked rather than speaking, and I felt that there were moments when both Macbeth (Kenneth Branagh) and Lady Macbeth (Alex Kingston) seemed rather, well, hammier than was strictly necessary.DSC08871

There were however also some very high points; Ray Fearon was a convincing and moving Macduff - I shall be looking out for his name in future productions, I'd like to see him in other roles, and despite his occasional over acting, Branagh was also convincingly tormented, a study in increasing paranoia and violent despair.

An interesting production. But I would have preferred a softer carpark to sit on!

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