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 Regular readers will know that I am a huge fan of both Neil Gaiman and Chris Riddell, so I was excited to see that they had a joint event in London, celebrating the launch of their new book, 'Art Matters', and naturally could not resist the opportunity, even though it was (most inconsiderately in my view) on a Wednesday evening, so I was for some time on tenterhooks wondering whether I would be able to wrestle my work schedule in order to be able to go, but happily I could, and so Wednesday afternoon found me on train to London, and then in a very long, very hot (but polite and friendly) queue, with a good friend.


And after some queuing,and collecting our pre-signed copies of the new book, we found ourselves in the auditorium. It's a former cinema, and still has some lovely panels on the ceiling.



Chris Riddell was on stage as we came in, sharpening his pencils and drawing sketches. (As Neil commented" There was a moment of panic, about 20 minutes ago, up in the Green Room  when we looked around and went, ' where's Chris?' . We thought we'd lost you" )


Then Neil read the 'Art Matters' speech from the book (after pointing out that it was a slightly new version, as it is the elements of the original speech which Chris liked and chose to illustrate), after which they  both answered questions put by host Lauren Laverne.


Neil spoke briefly about his current involvement as a show runner for the 'Good Omens' TV show ("Stuff like budget meetings, I was not put on this earth for fucking budget meetings") and about writing the sequel to 'Neverwhere'  100 pages in, but taking time due to the demands of being a show runner)


Towards the end of the evening, Antonia Byatt, Director of English Pen spoke a little about the organisation and it's aims, and read from a recent letter from writer Ahmet Altan ,  who who has been imprisoned in Turkey for expressing unpopular views.



There was also an auction in support of EnglishPen, of one of the original artworks for the book, (which auctioneer Lauren Laverne pointed out, included DNA samples from Neil and Chris from where they had handled it, so the winner would be able to clone their own Neil or Chris!)

Neil holding the artwork to be auctioned

(and photographer Tom Bowles took the most perfect picture of it, which you can see  here)


There was then some time for a few questions from the audience, for which Chris drew replies, as well as giving verbals replies. 


I had to leave just before the end, in order to catch my train home, but the entire evening was videoed and is up on YouTube for all to enjoy. And of course the book is available to buy all over the place. If you don't already have a copy, I urge you to get one. 


marjorie73: (Default)
Thanks to my friend A, I had a ticket for Neil Gaiman's London event for his newest book, 'Norse Mythology' on Wednesday evening, so I decided to make a day of it and also to attend Chris Riddell's event, earlier that same day.


I love Chris Riddell's art, and I've had the good luck to go to his events in the past and to see him drawing live, so was hoping for more of the same.


Chris had invited along some friends, Cressida Cowell (Author and illustrator of the 'How to Tame Your Dragon' series), Liz Pichon, creator of Tom Gates, and Posy Simmonds, who I know best for her creation of 'Gemma Bovery', (a graphic novel, modern take on 'Madame Bovery)


Chris's drawings of Cressida Cowell,

Liz Pinchon and Posy Simmonds
 

 

As we all filed into the auditorium to take our seats, Chris was making sketches of audience members. Sadly I wasn't one of those who was illustrated! (he also reassured everyone that they were not late, he just started early!) He then sketched his guests, from memory, before bringing them on stage.

 

Chris also introduced another, special, mystery guest - 'the Wise Wizard Gaiman'.



 

Once the guests arrived, he introduced each of them and invited them to speak and to show us their sketchbooks.


Liz Pichon explained that she had started out as a graphic designer before moving into picture books, and the writing the first 'Tom Gates' book, while Chris drew our attention to her beautifully painted fingernails and customised shoes. I'm not familiar with the Tom Gates books but they are clearly very popular, and it was interesting to hear about her creative process. She mentioned that Tom's dad is based on her own dad, who used to embarrass her, as a child, by turning up to collect her from school in his old gardening clothes (and showed us a card she made for him when she was young)


The next guest was Posy Simmonds, who showed us some of her sketch books, a recent one with beautifully detailed sketches of people in the street, and also selection of things she created when she was at school, including a comic strip murder mystery, drawn when she was 8, a spoof 'Observers book of Gurls' including a section on 'How to make yourself look excessively common' and a women's magazine she created while at boarding school, including careful illustrations of girls in bikinis, advertisements for imaginary products, and a short story which, she explained, got her into trouble, as it contained bad words, and a married woman with a lover!


She finished by showing us a sketch book which was the basis of her picture books, 'Fred', which involves cats and funerals..


Chris then introduced Cressida Cowell, explaining that he first met her when he was 'on a hot date with the Duchess of Cornwall', on a bus, and that Cressida was there to, and was not only managing to keep her balance on the bus, but also looking very glamorous and drawing things at the same time!


She told us that the 'How to Train Your Dragon' books were autobiographical... that as a child, her parents took them to a remote, uninhabited Scottish island every year, where there were ruins of Viking era houses, and she learned that the Vikings believed that Dragons were (or had been) real, and it started from there.

She also explained that she was inspired by Roald Dahl, and his willingness to have terrible things happen to people (for instance, James's parents (James and the Giant Peach) are eaten by a rhinoceros),and that her drawings are the kind which show readers they are "in the hands of a lunatic, who might do anything".She also explained that the books are about growing up, and that as they go through the serious, the style of the illustrations changes, they become less funny, and more difficult to draw!

 

She told us that she is working on something new, coming out in the autumn and set in the Iron Age.


Chris's final guest was Neil Gaiman.

 

Chris explained that he sees Neil as 'the Wise Wizard Gaiman', and pictures him arriving in robes to invite Chris (hairy feet and circular front door) on an adventure, which may involve Asgard, or London Underground, or Volcanoes and Time Travelling Dinosaurs. Neil claimed that he asked Chris to illustrate FTM "A very silly book" and that Chris got his revenge by drawing the Dad in the book as Neil.


 

Neil then read an extract from 'Fortunately, the Milk',while Chris sketched, and also read a poem, 'Witchwork' (which Chris had pre-prepared sketches for)


Neil had brought along 'Odd and Frost Giants' to show how gorgeous Chris's illustrations are, and claimed that Chris 'sneaks around' and illustrated things he's written, and he only finds out when they pop up on his facebook or other social media.


It was a lot of fun, and did feel, as the title said, like a conversation between friends, rather than a scripted event.

marjorie73: (Default)

I had a very Shakespeare-heavy start to the week.


On Monday night I went to see a local, amateur production of 'Return to the Forbidden Planet'. For. those who have not seen it, this is Shakespeare's lost Rock and Roll masterpiece - very loosely based upon 'The Tempest', with words stolen from all of Shakespeare's other pays, and (live) music from Rock'n'Roll's heyday, and Dan Dare / Thunderbirds style.


it is tremendously entertaining! I saw a professional production (set and costume designs by Gerry Anderson of Thunderbirds fame) years ago, and loved it, and have wanted to see it again, ever since.


I enjoyed this production, although it would have benefited from  larger stage, and the performances were a little patchy, but all in all, it was good fun. (And I still want to see another professional performance!)



Then on Tuesday, I went to Bristol Old Vic to see SpyMonkey's 'The Complete Deaths'.


They have decided (as one does) to combine, in a single performance, all 75* of the on-stage deaths in Shakespeare's plays.


(*If you include the black, ill-favoured fly from Titus Andronicus. 76 if you include Ophelia despite the fact she really dies off-stage)

(C) Chris Riddell / SpyMonkey

I heard of the show via Chris Riddell,who illustrated a number of the Deaths, for the programme, and who has also illustrated the complete deaths card gayme, and as one of places that the show is touring to was Bristol (as part of 'MayFest,) I decided to go.


It was a lot of fun - the deaths were presented in a huge range of ways. I am not certain whether it is Cleopatra's burlesque striptease, or all the Macbeth deaths presented via the medium of interpretive dance (by performers wearing flesh-coloured latex kilts) which will stay with me the longest .

The Shakespearean deaths are interspersed with interactions between the cast - Toby Park as the earnest intellectual, determined to confront the complacent audience with their own ultimate deaths, Aitor Basauri, longing to be a serious, Shakespearean actor (and having conversations with Shakespeare's disembodied head from time to time) Stephan Kreiss, nursing an unrequited (and at times very vocal) love for his colleague Petra, and  Petra Massey herself, determined to include the death of Ophelia.


I am not sure how much fun this would be if you don't have at least a passing familiarity with Shakespeare's plays, but if you do, it's highly entertaining, witty and extremely enjoyable.


Oh, and I bought the cards. And can now play a beautifully illustrated game of death top trumps.

marjorie73: (Default)

My next Bath Kids Lit Festival event took place on Saturday afternoon, and featured Children's Laureate Chris Riddell, and Michael Rosen (who have recently collaborated on a book of poems for very young children).


I admit that I mostly booked it because I like Chris Riddell's work, and I could not make it to his solo 'Goth Girl' event, and I did feel a little bit conspicuous because I was not accompanied by a child, but despite that it was fun.

Chris was live-drawing to the poems as Michael read them. The Poems are mostly very simple rhymes, playing with words and actions, and eminently suitable for small children and Michael was encouraging the audience to join in, (which they did - with great enthusiasm) but adding his own little touches.

The pictures were projected onto a big screen on the stage behind Mr Rosen, who could not, therefore, see exactly how Chris was representing his poems..!

Michael Rosen:26.09.2015

For instance, a poem about (among other things) dancing fruit, resulted first in a picture of orris dancing mangoes, followed by  sneaky picture of a Morris Dancing Micheal Rosen...!


It was a lot of fun, and quite a few lucky people from the signing line went home with original Chris Riddell drawings!

(I went home with a signature in my copy of 'The Sleeper and the Spindle' and a signed copy of the latest 'Goth Girl' book, so I was happy!)

marjorie73: (Default)


I was feeling a little pessimistic about Tuesday, as it was my birthday, one of the ones with a bit fat 0 on the end, but I am fortunate in having some very good friends, one of whom booked tickets for us to go to the Foyles event of Neil Gaiman reading the whole of his new children's book, 'Fortunately the Milk' at the Central Methodist Hall in Westminster, and another friend came over too, and was generous enough to take me out for (a truly superb) lunch, so I began to feel more cheerful.

Birthday Candle!
I don't think I can do justice to the lunch. It started with snails, and finished with chocolate parfait and salted caramel ice cream, and Nathalie clearly told them it was my birthday...

There may have been some wine involved, too.

Fancy ceiling

We all met up outside the venue, and without ever quite deciding to do so, we wound up waiting for the doors to open, which meant we were very close to the front of the queue and able to sit in the front row once they let us into the hall. Inevitably, we bumped into several friends and acquaintances. The hall is an amazing venue - huge auditorium with a massive dome (and a stonking great pipe organ!) and has  a fascinating history -



Andrew O'Neill

It was built  on the site of the old London Aquarium, to mark the centenary of John Wesley's death, and opened in 1912. The first ever meeting of the UN General Assembly took place there, and it has hosted speakers as diverse as Mahatma Ghandi, Winston Churchill, Martin Luther King, and the Dalai Lama (not all at once, obviously)



And now Neil Gaiman.



This was no ordinary reading. The evening was introduced and compered by Andrew O'Neill, who started out by explaining he had a list of words he isn't supposed to say on stage, which he carefully read to us so we would recognise them when we heard them (including 'Bum', 'Number 2s' and 'Beyonce'), experimented with how loud, high and low we could all sing and let us in a brief but rousing chorus of 'We Will Rock You'.

Then we had music, from TV Smith and Tom Robinson. With some audience participation.

It was a lot of fun, and all before Neil even came on stage.

Once he did, things got even better. Which was quite an achievement.

Chris Riddell, who illustrated the (UK) version of the book was there to draw pictures as the story progressed - lovely pictures, especially the careful labelling to ensure that we could not miss the Milk. (after all, as Professor Steg says, "Where there is milk, there is hope")

Neil read the whole of 'Fortunately the Milk', with help from friends who played the Green Globby Aliens, Pirates, Worshippers of Splod, Wumpires, Ponies, Dwarfs and Space Dinosaur Police Officers.

Grumpy Pirates, as read by Mitch Benn and Tom Robinson
I thought my Dad was the World's Best Reader of Bedtime Stories With Funny Voices, but I think Neil may just have beaten him. (although to be fair, my Dad has never had the opportunity to read to 2,000 people, supported by such a talented cast)

It's hard to pick out a favourite part of the evening,

Lenny Henry, Space
Dinosaur Policeman
but I think one of the true highlights has to be the moment when Neil read out "Ah-Ha!" and a small child in the audience responded with a loud and triumphant "AH HAA!", and brought the house down. It was such  lovely proof that the s/he was really absorbed in the story!


One of the final special guests was the lovely Lenny Henry, who appeared in what I am sure will come to be known as a landmark performance in his acting career, as the Galactic Police Dinosaur. (lots of people can play great Shakespearean roles. Not eveyone can manage a Galactic Police Dinosaur)


Tash, Andrew O'Neill, TV Smith, Mitch Benn, Neil Gaiman, Niamh Walsh,
Lenny Henry and Siobhan Hewlett

all too soon, the story came to an end. I'm not sure who was having more fun - the 10 or so people on stage, or the 2,000 or so in the hall.

The final treat of the evening was a brief appearance by Amanda Palmer herself , who performed her 'Ukulele Anthem' (with an extra milk-related verse)

A perfect end to a perfect evening.


My friends and I then took a walk through Trafalgar Square to admire the giant blue cock, and finished the night with dim sum.

It's true what Neil said on his blog, though.There were no ladies jumping through rings of fire, and no human sacrifice. Although the milk had a close call.

So, based on my experience, I would say that if any of you are considering turning 40 in the near future, and are feeling down about it, there are a few simple steps you can take to combat those aging blues:


1. Make sure you have some amazing friends who will provide good company, and treats.

2. Get Neil Gaiman to write a new kids book and read it to you with a large backing ensemble.

3. That's it.

Honestly, if I had known turning 40 would be this much fun, I would have done it years ago

Full set of photos here

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