Sep. 21st, 2011

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Sorrento itself is perched on top of a cliff - it's only when you get down to the bottom, to sea-level, and look back up that you realise quite how much work must have gone in to to building those cliff-top hotels and homes so they won't tumble down..

In order to get from the main part of the town, you can either walk down a steep staircase, and then a short, hair-pinned cobbled road, or down a longer, smoother path which zig-zags its way down (and at one point through) the cliff, or if you feeling lazy, you can pay your E1 and take the lift! I don't think I've ever come upon a beach serviced by a lift, before..
Most of the beaches are private - you pay your 8-12 Euros, depending on whether you want a sun-lounger and/or a parasol, but I decided to stick to the little public beach (on the right of the photo) when I ventured down for a swim. The beach is black, presumably the sand started life as volcanic ash and stone - and the water is disconcertingly clear, blue and warm.

As I was growing up, most of my seaside visits, and therefore most of the swimming in the sea I did, were in England, so I expect the sea to be grey, and cold, and full of sand and therefore stirred up by the waves. Additionally, swimming in the sea normally involves being regularly slapped in the face by icy waves, so the concept of being able to paddle around in clear, placid water is unnerving. And I am used to having to get out of the sea after a relatively short swim, as all my extremities turn blue and I start to lose feeling in them, so the concept that it is possible to stay in the water long enough to start worrying about sun-burn and prune-y skin instead is very strange (I mean, I could get used to it, if forced, but it does feel a little unnatural!)
I also took the opportunity to make a day-trip to Capri, which is of course only a little way off the coast, from Sorrento. Capri seems to be entirely made up of precipitous cliffs and you get around in little tiny buses, which have to go onto the wrong side of the road in order get around the hairpin bends, which makes bus travel exciting.
I went up to Anacapri, from where you can ride a chair-lift up to Monte Solaro. I love chair-lifts - they're a bit like hot air balloons, in that you get to float, almost silently,above the world.

In this instance, the views from the lift, and from the top of the mountain were not as good as they could have been , as the air quality wasn't the best - lots of dust and haze in the air, but even so, the views were pretty darn good!

When I went down again, I visited S. Michele's church, which has a majolica tiled floor with a picture of the garden of Eden, which includes a charming elephant with paws, as well as lions and bears and horses and a slightly random unicorn.

I  also got a bus round to the Grotta Azzurra, which is one of the most famous attractions on the island. The water is, indeed, very blue, and very beautiful. Getting in, however, is . .. interesting.

After rather a lot of queueing, you have to scramble into a small rowing boat, and then, as the entrance to the cave is very low, it's necessary to lie flat on your back in the bottom of the boat while the boatman performs a kind of limbo while pulling the boat into the cave using a chain!

If you are not acquainted with your travelling companions before you get into the boat you certainly will be after lying next to (or on top of ) them to get in and out of the cave!

After that, I took my slightly soggy and dishevelled self back to Capri town, where I founbd that a 50/50 mixture of lemon granita and freshly
squeezed orange juice is even better than either one alone..  An important discovery, I'm sure you'll agree.

And a little later, my evening included spaghetti con vongole, and wine made by the restaurant itself, and an odd but tasty fennel liqueur.
marjorie73: (Default)
Visiting Pompeii and Herculaneum was fascinating, but many of the paintings and
mosaics, as well as other artifacts such as glass, silver, and household items
have been removed, and are now in the Museo Archeologico Natzionale in Naples, so I decided to take a day-trip into the city to visit the museum.
It's housed in an imposing building, (originally built as a university) and includes a vast 'Great Hall of The Sundial' which holds an ancient statue of Atlas, carrying the globe which is itself carved with depictions of the zodiac. (The sundial in question is set into the floor, and lit by a hole in one corner of the hall, and is, as far as I could make out, designed to show mid day at different seasons, rather than to measure the hours each day.
Alexander the Great - Mosaic from the 'House of the Faun', Pompeii (detail)
Quite a few sections of the museum are closed, including, to my regret, the section holding the 'Farnese gems' (mainly cameos) and some of the Pompeii paintings, but I was able to see the mosaics from Pompeii, which are extraordinary. I think that the mosaic showing the battle between Alexander the Great, and King Darius is probably the most famous, and it is utterly amazing, but the others are pretty impressive, too.
Octopus vs. Lobster (detail of mosaic from the House of The Faun, Pompeii)
I liked the seafood mosaic, and little details of several of the others - this spiky-toothed hippo, for example, and the cat, lurking below a birdbath.

There are also mosaic-decorated pillars, more cats, another guard-dog mosaic.



Another room worth visiting is the 'Gabinetto segreto' (secret room). This is not so much secret as segregated - it contains lots of erotic art - originally, in the early 19th Century, the room was closed, and only those who were "of mature age and well known morality" were granted permits to view the "infamous
monuments of heathen licentiousness
".

It was then open during the Garibaldi period, and closed under the fascist regime, until 1967! Now it is open again, although there is a sign outside in four or five languages warning it may not be suitable for younger visitors..





Some of the artworks, such as the 'Venus in a golden bikini' are quite unexceptional.

Others, however, such as the statue of Pan with a she-goat, are more startling, to modern eyes! 

There are also paintings taken from one of the lupanares (brothels) in Pompeii, with paintings showing different acts and positions, and various Herms, votive offerings (how often do you see a cupboard entirely full of penises?) and paintings, mosaics and statues leaving nothing to the imagination!

After which it was quite soothing to go and look at charming, if at times confusing, paintings from Pompeii - a cupid with a pair of shoes, for instance.
Portrait of the baker, Terentius
Neo, and his wife
They also have selections of decorative silver, found at Pompeii (it survived intact having been stored in a chest, padded with blankets, possibly because the house was in the process of being reconstructed following the earthquake of  62AD. More amazingly, there are also glass items, and even papyrii which, despite the fact that they are seriously burned, archaeologists have succeeded in reading!

As well as the Pompeian art,
there are also lots of sculptures, some of which were also found in Pompeii or Herculaneum

This lady -> is one of five statues found at Herculaneum, and
still pristine.

One of the most famous sculptures in the museum is the 'Farnese Bull', which used to stand in Rome.

It is colossal. 


And while I can't approve of celebrating the habit of tying ladies to
enraged bulls, (even if they have been misbehaving) you have to admire the craftsmanship involved!

As you do with the other sculptures.

(the dog, incidentally, is part of a table leg. He is one of
the 3-heads of a dog emerging from the stomach of the sea-monster, Scylla, attacking Ulysses' sailors. But you probably knew that.)

all in all, it's a fascinating museum, and I'm very glad that I had the time and opportunity to go.

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